2012-2013. Based on a selection of popular video works, the exhibition shows the evolution of video art from the 1960s through to the 1980s in cooperation with the Centre Pompidou. Attracting particular interest are the three focal points “Performance and Filmic Self-Portrait,” “Television: Research, Experiments, Critique,” and “Attitudes, Forms, Concepts,” which reveal the development phases video has passed through, its artistic applications, “research” character, and critical potential.