The exhibition comprises a work complex from 1980. For Hoover, all media are equally important; in 1980 the photo works are often the starting point for a more far-reaching development of the subject matter with video and performance. In the series of “double negative” photos, she uses for instance the principle of the contact print, producing only a single print from two or more adjoining negative light exposures. The exhibition and catalogue both come from a show at the daad galerie Berlin.